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Defrost

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DGA Magazine: Learning Curve

Over the past few months, VR camera systems have advanced rapidly to keep pace with the emerging medium. For Catatonic, Shelmerdine positioned a cluster of eight GoPro cameras at the "head" of his terrified "patient" to capture all four quadrants of the 3-D space. More recently, Shelmerdine has used his own Dark Corner rig, featuring four Sony a7SII cameras, to shoot projects like the gritty drug-smuggler short Mule. Recently introduced stereoscopic VR camera systems also include the Jaunt NEO, Radiant Images’ Headcase, and the Nokia OZO. Veteran director Randal Kleiser (GreaseThe Blue Lagoon) switched to the OZO after making the pilot for his 12-episode Defrost series on a GoPro rig.

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Variety:  Randal Kleiser’s Sci-Fi Virtual Reality Drama ‘Defrost’ Debuts at Sundance (Exclusive)

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Variety: Randal Kleiser’s Sci-Fi Virtual Reality Drama ‘Defrost’ Debuts at Sundance (Exclusive)

Years before Randal Kleiser started working on his hit musical “Grease”, he wrote a Sci-Fi screen play about cryogenic life extension. The idea: A woman gets woken up from decades of sub-zero temperature suspension, to find herself confronted with a much older family, some very advanced technology and a nagging suspicion that some things just don’t feel right. Kleiser wanted the whole film to play out from the protagonist’s point of view, but never really got a chance to do so. The script disappeared in a drawer, and remained forgotten for decades.

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Tanna Frederick - DEFROST, A Virtual Reality Short Movie Breaking the 4th Wall

Tanna Frederick, award-winning actress of film and theater has produced a state of the art 360-degree Virtual Reality movie, Defrost, that pulls the viewer into an emotional immersive experience, unlike seeing a movie on the big screen. With the use of Samsung Gear VR goggles, Defrost is one of the first attempts in the industry to tell a narrative story with the 360-degree technology.  Frederick said, “Producing this project with the new technology is an attempt to create an emotional experience. The audience follows the first person point of view of Joan Garrison who wakes up after 30 years of being frozen for medical reasons. She feels trapped. She is just seeing life again for first time. We go on the journey through her awakening by following her perspective as she is being wheeled down the hallway.” 

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